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Mimosas

The 72 th anniversary of the poet's death attracted dozens of fans to his grave in the French town of Collioure

A Antonio Machado was not very fond of poetry. At least that's what counts his brother Joseph in Latest solitude of the poet, small Chile memoir in 1940 and published by the State Society for Cultural Commemorations in 2008. To his admirers, however, yes. Reciting his poetry is the most direct way of expressing recognition and revive him. This morning in one of those "blue days" that impressed the poet at the end of his life, did so again in the cemetery of the French people of Collioure, where he is buried Machado and his mother, Ana Ruiz.

Dozens of people gathered at the tomb to mark the 72 th anniversary of the death of the author of Campos de Castilla, which occurred on February 22, 1939, just weeks after he left Spain penniless, sick and accompanied by some relatives.

addition of red roses and yellow mimosas visitors, the mayor of Collioure, Michel Moly, and the president of the Antonio Machado Foundation, Guy Llobet, laid a wreath and observed a minute of silence at the grave. An association of residents of Barcelona also traveled to the coastal town to pay homage to the poet.

Among the events organized to commemorate Machado Collioure included a lecture by Carlos Martínez Shaw, a professor at the UNED, Machado on routes, which start in Seville and lead to the French town, and another Verónica Sierra, professor University of Alcalá de Henares, the creator of cataloging and creation Words fund over time, a file which includes all the letters sent by mail or deposited with Machado's grave. These documents will be available from now in the municipal archives of Collioure.

addition, the Foundation announced that Xavier Antonio Machado Serrachima is the international award-winning poem Engrunes d'hores.

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All who have walked even a little world of politics know that a picture has a thousand readings and enables anxieties and hopes . It is not uncommon to hear phrases such as ... "to us this photo serves more than this or that ".... o. ...." This is the picture that we" ... or some variation or less florid.

is true that photography as an aesthetic exercise, play and create different feelings and thoughts which are not difficult to tie to the political scene and, from this argument, the supposed importance of "the photo" realism recovers , vigor and verisimilitude.

The image is expressed from its own voice. Think for a moment, what does this picture tell us that the minister meets Boudou, Hebe de Bonafini, Fatal and Horacio Gonzalez, and attempts to speak of politics in the City of Buenos Aires with a clear national hearth.

My first temptation is aesthetic, I look at the picture and count the watchful eye folds develop this narrative that goes from the applauses and Bonafini Boudou reciprocal gesture to the distance from Gonzalez and the need for hydration Fatala, which takes who should swallow water, soon, sometime difficult. But what remains if one escapes this temptation and the reserve for more beautiful pictures?

What remains is the deep contempt that the Government has for the seriousness and consistency and also reveals the fundamental rejection is Peronism to the City of Buenos Aires. Other mode can not explain this photo, is required to collect an overwhelming cynicism vulgar snobbery of one with the authoritarian, reactionary and violent one. Without such contempt share can not shelter under the legitimizing mantle of other photos of the missing, so exercise and disqualifying burlesque. What have told Gonzalez in that game? What words will be used? What epic presence will be adorned with their fellow diners?

The picture is conclusive. Burlesque shows Kirchnerism gear in Buenos Aires as well as the version in other banks, can make statements Aníbal Fernández or Pichetto. The characters in the picture are there to prove they can do anything, they know how to defend with the same enthusiasm any position with the only condition for their own inclusion. They may be liberal and take pictures with representatives of the most evil institutions with the same emphasis to defending a hypothesis of national liberation and popular. As can believe in nothing believe in everything, and so do we know all the time, while, in the tone of the false teacher, tell us how things really are.

universe Transferred to Buenos Aires, here you took this picture and want to play the game here is indispensable to say that this city does not need more conservatism. We have long ruled by conservatives (of different parties but still conservative) and need to recover some sensibilities. If the exercise of conscience lightened to hate the ending macrismo cynical and false exercises, everything can be worse. We know what happens when rules from imposts progressivism.

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Congratulations!

I know that I promised last year a Santa Claus.

But I think I like the mice. Congratulations

, and fat, refreshing and healthy New Year!

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Stalker

The last report published in Quilt comments convened three very striking. One of the President INADI, other communications equipment and other Open Letter of 678. I can not specify the accuracy of the identities but the thing does not change much (in any case it would add a fee pathological) but I think that at least the first two respondents who say they are responding. After all, I'm positive anthropologies man and I have no reason to doubt.

The answers, if they had been intended to relate to the proposition of the note came unquestionably late, but I do not think that is the ultimate goal, beyond the occasional records. The answers were to Quilt, the space that allows you to write what was written. And not that I want to give me an importance that I have clearly not, but that is precisely why attention. Three areas of Government, who are busy solving problems, are on duty, take the trouble to "answer" to a space of reflection as Quilt, which comes barely a hundred hits a day. This demonstrates a caring attitude, even in excess, with those who argue for government positions from where you can. Arguably, even if it would stick too the dialect Kirchner, the blogosphere is who controls it.

this control to which I refer has nothing to do with reading, and I thank attitude spreads, but with the manner and the meaning of the comments, or actually the lack of method and meaning. In the three commentaries, all you do is expose the "official" without issuing a word. In the case of "Mr. Morgan" (the quotes are there to not be affected by Morgado but an alter ego) is December 1, Lopez was murdered on November 23, and literally transcribed INADI an official statement. Open Letter on the other hand, also on December 1, Lopez was murdered on November 23-strike as a way to answer a memo. I feel like because it starts with a "fellow and colleagues "do not feel engaged or could do mine. It then quoted a repair event with the presence of significant figures as a progressive space Kirchner Verbitsky (page 12), the actual Morgado (INADI), Carlotto (grandmothers) and Perez Esquivel (Nobel prize). The last of the comments, signed by a less likely 678, just put a link that leads to the issue of December 2, Lopez was murdered on November 23, and in excruciating four minutes shows Sandra Russo (page 12) as narrator of an epic quest in which they met "activists who are defending this project" to discuss the issue and asking Formosa "Information" because things did not appear so clear. In the same video, Roberto Caballero (director of Tiempo Argentino) dealt with firmly, gesture and voice as a journalist committed to "look" that some governors "not understand" what is the process that began in Argentina.

can not stop calling attention to the lack of argument in response to the note. And I can not think that is a lack of interest, because if so, or would know of the existence of Quilt. Actually do not answer, they say. Indicate that they are there but not involved enough to recognize other. No dialogue, not arguing, not arguing, but they show that they are there, watching what happens.

The other option is to have nothing to say, that pose as progressive when things go well and as soon as something goes down, run out of words and are left with the gesture, saying the child handling look here we are, we, we can justify it all in the name of the national and popular.